In live performances from the Hollywood Bowl to New York’s Avery Fisher Hall, from Paris to Hong Kong, and in his continuing series of recordings for Arabesque — Bruce Brubaker is the new musician, a visionary virtuoso, and an artistic provocateur. Named “Young Musician of the Year” by Musical America, Bruce Brubaker performs Mozart with the Los Angeles Philharmonic, and Philip Glass on the BBC. Profiled on NBC’s Today show, Brubaker’s playing, writing, and collaborations continue to show a shining, and sometimes surprising future for pianists and piano playing. His blog “PianoMorphosis” appears at ArtsJournal.com.
Brubaker was presented by Carnegie Hall at Zankel Hall in New York, at Trifolion in Echternach, at Michigan’s Gilmore Festival, and at Boston’s Institute of Contemporary Art, as the opening-night performer in the museum’s acclaimed new Diller Scofidio + Renfro-designed building. He is a frequent performer at New York City’s Le Poisson Rouge.
Bruce Brubaker’s CDs for Arabesque include Time Curve (music by Philip Glass and William Duckworth), Hope Street Tunnel Blues (music by Glass and Alvin Curran, featuring Brubaker’s transcription of a portion of Glass’s opera Einstein on the Beach), Inner Cities (including a live recording of John Adams’s Phrygian Gates and Brubaker’s transcription of part of Adams’s opera Nixon in China), and the first CD in the series, glass cage, named one of the best releases of the year by The New Yorker magazine.
Brubaker has premiered works by Glass, Nico Muhly, Mark-Anthony Turnage, and John Cage. He performed at Sanders Theater in collaboration with Cage during the composer’s tenure as Charles Eliot Norton Lecturer at Harvard University.
Following his New York debut at Lincoln Center’s Alice Tully Hall, Brubaker was awarded a solo artist grant from the National Endowment for the Arts. His London debut at the Wigmore Hall led to his first broadcast concert on the BBC, an all-Brahms recital. Brubaker has appeared at Lincoln Center’s Mostly Mozart Festival at Avery Fisher Hall, the Hollywood Bowl, Tanglewood, London’s Wigmore Hall, Leipzig’s Gewandhaus, Antwerp’s Queen Elizabeth Hall, and Finland’s Kuhmo Festival.
Bruce Brubaker has appeared on RAI in Italy and is featured in the documentary film about the Juilliard School, made for the PBS “American Masters Series.” As a member of Affiliate Artists Xerox Pianists Program, he presented residencies and performed with orchestras throughout the United States.
Brubaker has given masterclasses and forums at the Sibelius Academy in Helsinki, the Jerusalem Academy of Music and Dance, Columbia University, Leipzig’s Hochschüle für Musik, the École Normale in Paris, Ghent’s Orpheus Instituut, North Carolina’s Eastern Music Festival, and the San Francisco Conservatory of Music.
Brubaker’s articles about music have appeared in The Wall Street Journal, USA Today, Piano Quarterly, Dutch Journal of Music Theory, and Chamber Music magazine. He was co-editor and a contributor to Pianist, Scholar, Connoisseur: Essays in Honor of Jacob Lateiner (Pendragon Press, 2000), a collection paying homage to his former teacher. His essay “Time Is Time” appears in Unfolding Time (2009), available in the U.S. from Cornell University Press. He presented the closing recital in Harvard University’s Crosscurrents conference in 2008. He is the U.S. representative for “Behind the Music: The Performer as Researcher,” a research initiative based in Australia.
Brubaker was the creator in 2000–2001 of “B-A-C-H,” a six-concert series in New York examining the connections between J. S. Bach and the composers who followed him. The previous year, at the turn of the millennium, he organized “Piano Century,” in which 100 pianists performed 101 twentieth-century pieces in eleven concerts. In 2004, Brubaker created and performed Pianomorphosis, a 70-minute multidisciplinary performance piece for the Gilmore International Keyboard Festival in Michigan. Brubaker’s performance piece Haydnseek, was created together with Nico Muhly. Brubaker is the founder and artistic director of the chamber music festival SummerMusic in his native Iowa.
Brubaker trained at the Juilliard School, where he received the school’s highest award, the Edward Steuermann Prize, upon graduation. At Juilliard, where he taught from 1995 to 2004, he has appeared in public conversations with Philip Glass, Milton Babbitt, and Meredith Monk.
Gabriel Chodos chaired the NEC piano department for 25 years. Renowned as a teacher, concert artist, and recording artist, Chodos also spent many summers as a mainstay of the Aspen Music Festival faculty. With Aube Tzerko—a Schnabel student—as his principal teacher, and with Schoenberg assistant Leonard Stein as his theory teacher, Chodos is in a direct line from two 20th century masters of the European classical tradition.
Known in particular for his interpretations of music from the heart of the pianist’s repertoire—Beethoven, Schubert, Chopin, and Brahms in particular—Chodos has been heard in NPR broadcasts of these composers, who also form the bulk of his substantial recorded output.
Chodos has performed throughout the U.S., Europe, Japan, and Israel. In the U.S., his performance venues have included the 92nd Street Y, Alice Tully Hall, Merkin Hall, Symphony Hall, and the Library of Congress. He has been a soloist with the Chicago Symphony Orchestra, Aspen Chamber Symphony, Radio Philharmonic Orchestra of Holland, and Jerusalem Symphony Orchestra.
A winner of the Concert Artists Guild Competition in New York, Chodos also received a Fulbright Scholarship, Martha Baird Rockefeller grants, and an NEA Solo Recitalists Grant.
He has given masterclasses and lecture-demonstrations at Yale University, Indiana University, the Rutgers Summerfest, the Chautauqua Festival, the Guildhall School of Music in London, the Hochschule für Musik in Leipzig, the Estonian Music Academy in Tallinn, the Toho Gakuen School of Music, and Kunitachi College of Music in Tokyo.
B.A. in philosophy, Phi Beta Kappa, and M.A. in music, UCLA; Diploma in Piano, Akademie für Musik und darstellende Kunst, Vienna. Principal piano studies with Aube Tzerko; also with Leonard Shure, Josef Dichler, Carlo Zecchi. Recordings on Fleur de Son, Centaur, Orion, Victor/Japan, and CRI. Former faculty of University of Oregon, SUNY/Buffalo, Dartmouth College, and the Aspen Music Festival.
Photo by Christian Steiner
Logan Skelton is a much sought after pianist, teacher, and composer whose work has received international critical acclaim. As a performer, Skelton has concertized widely in the United States, Europe, and Asia and has been featured on many public radio and television stations including NPR's Audiophile Audition, Performance Today, All Things Considered, and Morning Edition, as well as on radio in China and national television in Romania. He has recorded numerous discs for Centaur, Albany, Crystal, Blue Griffin, and Naxos Records, the latter on which he performed on two pianos with fellow composer-pianist William Bolcom. A frequent guest at music festivals, Skelton regularly appears in such settings as Gina Bachauer; Amalfi Coast; Gijón; Eastman; Tunghai; Chautauqua Institution; American Romanian; Eastern; New Orleans; Poland International; Indiana University; Hilton Head Island; and the Prague International Piano Masterclasses. He is a popular presenter at music teacher organizations including numerous appearances at MTNA national conventions and EPTA World Piano Conferences, as well as serving as convention artist for state conventions in New York, Illinois, Michigan, Louisiana, North Carolina, Wyoming, and Iowa. Moreover, he has given countless performances and masterclasses at colleges, conservatories, and conferences throughout the U.S., South Korea, Taiwan, Singapore, China, Italy, Romania, Serbia, Poland, and Czech Republic. He is a frequent juror for international piano competitions. His Centaur Records compact disc, of all 20th century American solo piano music, is titled American Grab Bag: Piano Music of Our Time. American Record Guide described this as a "fascinating recording," commenting on Skelton's "superb, wonderfully subtle and elegant playing ... Bravo!"
As a composer, Skelton has a special affinity for art song, having composed well over a hundred songs, including numerous song cycles. Critics have noted the close fusion of text and music in Skelton's songs, how words are "... illuminated with brilliance and deep emotional power," American Record Guide. Others have found "... joy-a night unto ecstatic joy... in word and sound-play," Dial M for Musicology. In Fanfare magazine reviews, Skelton as a composer of song has been singled out for his ability to "... plumb the depths of emotion ... these are exquisitely crafted art songs in the American tradition ... we are in the hands of someone who lives and breathes song." His works have been performed throughout the world by a variety of musicians in settings such as Carnegie Recital Hall and Merkin Concert Hall in New York City, Tblisi in the former Soviet Republic of Georgia, Australia, Sorrento, Italy, as well as numerous cities throughout the United States including Los Angeles, Salt Lake City, Tampa, New Orleans, Lincoln, Houston, Detroit, and many others. He composed the required work for the 1993 New Orleans International Piano Competition. His song cycle Anderson Songs: The Islander, was a recipient of the Music Composition Award from the Mississippi Institute of Arts and Letters.
Professor Skelton's principal teachers have included John Murphy, Rebecca Penneys, Lillian Freundlich, and Artur Balsam. A devoted teacher himself, his own piano students have repeatedly won awards in many national and international competitions including Hilton Head; San Antonio; Cincinnati World; Washington; Bartók-Kabalevsky-Prokofieff; Fischoff; Jacob Flier; Iowa; Frinna Awerbuch; Eastman; Crescendo; Dallas Chamber; Missouri Southern; Los Angeles Liszt; Wideman; Concorso Internazionale di Esecuzione Musicale; Schimmel, Liszt-Garrison; Grieg Festival; Del Rosario; Beethoven Sonata; Ithaca; Piano Arts; Heida Hermanns; Dubois; Schmidbauer; Peabody Mason; Janáček; Seattle; Kingsville; New York; Oberlin; Idyllwild; as well as numerous Music Teachers National Association competitions. His former students hold positions of prominence in music schools and conservatories throughout the world. He was honored by the University of Michigan as the recipient of the prestigious Harold Haugh Award for excellence in studio teaching. He has served on the faculties of Manhattan School of Music, Missouri State University, and is currently professor of Piano and director of Doctoral Studies in Piano Performance at U-M.
Natalya Antonova made her debut with the Leningrad Philarmonic at the age of 16. As a soloist of two major concert managements, “State Concert” and “Soviet Union Concert”, she concertized in Russia, Estonia, Georgia, Latvia, Ukraine, Armenia, Byelorussia, and other countries like Germany, France, Bulgaria, Hungary, Czechoslovakia, South Korea, etc.
When she accepted an invitation from the Leningrad Conservatory, she became the youngest professor ever appointed for this position in the history of the school. After 10 years of serving, she accepted a position of Professor of Piano in the Russian Academy of Music in Moscow (formerly the Gnessin Institute of Music).
Antonova has given hundreds of master classes and lectures throughout the world including the Moscow Academy of Music, Paris Conservatory, Budapest Conservatory, Peabody Conservatory, New England Conservatory, and Seoul National University.
She has participated in many International Festivals in such countries as Hungary, Germany, South Korea, USA, Russia, etc. Each summer she conducts piano classes in the frame of the International Festival in Paris, France.
Antonova has judged numerous competitions such as Gina Bachauer in Utah, Corpous Christi International Competition in Texas, Sibelius International Competition in Ohio, Hilton Head International Competition and Missouri International Competition.
She is currently a tenured professor at the Eastman School of Music.
Sang Woo Kang
Cited by the Los Angeles Times as a “prodigiously talented pianist with great technical virtuosity and interpretive gifts,” Sang Woo Kang is an active performer and educator who has presented master classes and recitals in Asia, Central and South America, and Europe. He successfully balances his performance career with teaching at Providence College, where he is Associate Professor and Chair of the Department of Music.
An active performer, Sang Woo’s recent international performances include the Auditorio Piazzolla in Argentina, Bari International Festival in Italy, Sehjong Cultural Center in Korea, multiple venues in Japan and Thailand, the Moulin d’Ande Festival in France, Weill Hall at Carnegie Hall, and Steinway Hall in NY, to name a few. Upcoming events include chamber, solo, and orchestral concerts in New York, Providence, Chicago, and Boston.
Sang Woo recorded the Brahms Clarinet Sonatas on the EMI Korea label in 2007 and his performances has been featured on various programs in the US and abroad, including the WXXI, WGBH, and MPBN classical music stations. Sang Woo’s latest solo album, featuring Mozart’s piano pieces, will be released on the NAXOS Label later this year.
Over the summer, he directs the Piano Institute and Seminar at the Atlantic Music Festival at Colby College, an annual intensive four-week series of concerts and events focused on promotion and performance of new music.
In addition to his other activities, Sang Woo reviews recent classical releases for publications such as the American Record Guide and Clavier Companion, and maintains a blog entitled “Music for Time’s Ending,” which covers a variety of topics pertaining to music.
Sang Woo is a graduate of Juilliard School and the Eastman School of Music, where he received the Doctor of Musical Arts degree.
SEÁN DUGGAN, OSB, pianist, is a monk of St. Joseph Abbey in Covington, Louisiana. He obtained his music degrees from Loyola University in New Orleans and Carnegie Mellon University, and received a Master’s degree in theology from Notre Dame Seminary in New Orleans. From 1988 to 2001 he taught music, Latin and religion at St. Joseph Seminary College in Louisiana and was director of music and organist at St. Joseph Abbey.
In September, 1983 he won first prize in the Johann Sebastian Bach International Competition for Pianists in Washington, D.C., and again in August, 1991. Having a special affinity for the music of Bach, in 2000 he performed the complete cycle of Bach’s keyboard works eight times in various American and European cities. For seven years he hosted a weekly program on the New Orleans NPR station entitled “Bach on Sunday.” He is presently in the midst of recording the complete cycle of Bach’s keyboard (piano) music which will comprise 24 CDs.
Before he joined the Benedictine order he was pianist and assistant chorus master for the Pittsburgh Opera Company for three years. He has performed with many orchestras including the Louisiana Philharmonic, the Buffalo Philharmonic, the Leipzig Gewandhaus Orchestra, the Leipzig Baroque Soloists, The Prague Chamber Orchestra, The American Chamber Orchestra and the Pennsylvania Sinfonia. From 2110 to 2004 he was a visiting professor of piano at the University of Michigan. Currently he is associate professor of piano at SUNY Fredonia. During the fall semester of 2008 he was also a guest professor of piano at Eastman School of Music. He has been a guest artist and adjudicator at the Chautauqua Institution for several summers, and is also a faculty member of the Golandsky Institute at Princeton, New Jersey. He continues to study the Taubman approach with Edna Golandsky in New York City.
Pianist Mei-Hsuan Huang is Assistant Professor of Piano at Iowa State University and a member of the Amara Piano Quartet (Joanne Rile Artists Management).
Huang has been a prizewinner in several international piano competitions, including the USASU International Piano Competition in Tempe, Arizona, the 57th Wideman Piano Concerto Competition in Shreveport, Louisiana, and the International Chopin Piano Competition in Taipei, Taiwan. She regularly performs over fifty solo and chamber recitals every year in Europe, States, Canada and Taiwan. She has been invited to summer festivals including the 2006 Aspen Music Festival, the 2007 Pianofest in the East Hamptons, the 2008 Orford Music Festival, Quebec, the 2010 Atlantic Music Festival in Maine, the 2012 CICA Eureka Springs International Music Festival in Arkansas, and the 2012 and 2013 Banff Music Festival, Alberta. Festivals increasingly ask for her presence on their artist rosters. Recently, Huang also was presented in a piano recital in National Taiwan Concert Hall (Taipei), as a result of being nominated for the prize of “Excellent Musician Series” by ProArtist.
In 2013, Huang performed George Gershwin’s Rhapsody in Blue with the Central Iowa Symphony, Robert Schumann’s Piano Concerto with the Iowa State University Orchestra, and Camille Saint-Saëns’ Carnival of the Animals with the Des Moines Symphony. She also travelled with the Amara Quartet to perform at the Colours of Music Festival in Barrie, Ontario and on concert series in Illinois, Virginia, Michigan, Ohio, and Texas. The quartet will release compact disc on the Fleur de Son label in 2016, a recording of American quartets that will feature the piano quartet by George Tsontakis’ piano quartet No. 3, Dark Rosaleen—written by Lee Hoiby for the Ames Piano Quartet—a piano quartet by Walter Piston and Carolina Reveille by Paul Schoenfield.
Huang received her bachelors degree at The National Taiwan Normal University, where, she won the prestigious Xing Tang Temple Piano Competition Prize. She received her masters degree at the Cleveland Institute of Music, where she studied with Sergei Babayan, Margarita Shevchenko, and Paul Schenly. She received her doctorate of musical arts degree at The Ohio State University under full-scholarship.
Huang was named a Steinway & Sons Artist since 2014.