Fung enticed us into a world of delicacy and finesse.
– François Mardirossian, Crescendo Magazine
Praised for his “ravishing and simply gorgeous” performances in the The Washington Post, pianist David Fung is widely recognized for interpretations that are elegant and refined, yet intensely poetic and uncommonly expressive. Mr. Fung regularly appears with the world’s premier ensembles including the Cleveland Orchestra, the Israel Philharmonic Orchestra, the Israel Symphony Orchestra, the Los Angeles Chamber Orchestra, the National Orchestra of Belgium, the National Taiwan Symphony Orchestra, the New Japan Philharmonic Orchestra, the Saint Paul Chamber Orchestra, the San Diego Symphony Orchestra, the San Francisco Symphony, and the Tampere Philharmonic Orchestra, and with the major orchestras in Australia, including the Melbourne Symphony Orchestra, the Queensland Symphony Orchestra, and the Sydney Symphony Orchestra.
In July 2016, Mr. Fung’s highly acclaimed debut with the Cleveland Orchestra at the Blossom Music Festival was “everything you could wish for” (Cleveland Classical), and he was further praised as an “agile and alert interpreter of Mozart’s crystalline note-spinning” (The Plain Dealer). In the following week, he performed Rachmaninov’s Rhapsody on a Theme of Paganini at the Beijing National Stadium for their Olympic Summer Festival.
This season, he has solo recital debuts at the Brussels Piano Festival and the Kennedy Center, presented by Washington Performing Arts, and performances with Orpheus, the Albany Symphony, the Arkansas Symphony, the Israel Chamber Orchestra, the Melbourne Chamber Orchestra, the Nordwestdeutsche Philharmonie, the Marin Symphony, the Sun Valley Summer Symphony, and the Vallejo Symphony. He performs for the first time at the Bridgehampton Chamber Music Festival and the Yeosu International Music Festival in Korea, and he returns to Ravinia Festival and Lincoln Center’s Great Performers this season.
In 2014, Mr. Fung performed the West Coast Premiere of Chen Qigang’s Piano Concerto, “Er Huang”, with the San Francisco Symphony, and subsequent orchestral highlights include performances with the New Japan Philharmonic Orchestra (Tchaikovsky No. 1), Tampere Philharmonic Orchestra (Mozart K. 503), Melbourne Symphony Orchestra (Ravel G Major), National Taiwan Symphony Orchestra (Ravel G Major and Rachmaninov No. 2), Israel Symphony Orchestra (Poulenc), Kitchener-Waterloo Symphony (Mozart K. 467), Saint Paul Chamber Orchestra (Hindemith), Southwest Florida Symphony (Rachmaninov Paganini Rhapsody), Symphony Tacoma (Beethoven No. 2), and a tour with the Melbourne Chamber Orchestra (Mozart K. 413 and K. 449).
As a recitalist and chamber musician, Mr. Fung is a frequent guest artist at prestigious festivals and venues worldwide. Festival highlights include performances at the Aspen Music Festival, Blossom Music Festival, Caramoor, Edinburgh International Festival, Hong Kong Arts Festival, the Ravinia Festival, and Tippet Rise. At his Edinburgh International Festival debut, the Edinburgh Guide described Mr. Fung as being “impossibly virtuosic, prodigiously talented... and who probably does ten more impossible things daily before breakfast.” In recent seasons, he has performed at the Kennedy Center, Lincoln Center, Carnegie Hall's Weill Hall, the Louvre Museum, the Palais des Beaux-Arts in Brussels, the National Concert Hall in Taiwan, and the Zürich Tonhalle, and he gave a recital tour in China at all the major venues including the Beijing Concert Hall, Shanghai Oriental Art Center, Guangzhou Opera House, and the Tianjin Grand Theater.
Mr. Fung’s debut album with Yarlung Records linked the virtuosity in the piano music of Liszt and Ravel: Liszt’s Sonata in B minor and Les jeux d’eau à la villa d’Este, with Ravel’s Jeux d’Eau and La Valse. His second album with Yarlung, Evening Conversations, featured a solo recital of intimate works by composers ranging from Mozart to Tan Dun. Evening Conversations was praised as “an overall favorite” piano recital album by James Harrington in the American Record Guide and was named one of the Top 10 Recordings of 2011 by Linn Records. Mr. Fung's chamber music performances can also be heard on Naxos, Pentatone, Orchid, and Genuin. Mr. Fung begins recording the complete Mozart Sonatas for Steinway and Sons Spirio in 2018.
Mr. Fung garnered international attention as a winner in two of the "top five" international piano competitions (the Queen Elisabeth International Music Competition in Brussels and the Arthur Rubinstein Piano International Masters Competition in Tel Aviv). In Tel Aviv, he was further distinguished by the Chamber Music and Mozart Prizes, awarded in areas in which Mr. Fung has a particularly passionate interest.
The first piano graduate of the prestigious Colburn Conservatory in Los Angeles, Mr. Fung also studied at the Hannover Hochschule für Musik and the Yale School of Music. His teachers include Claude Frank, Peter Frankl, John Perry, and Arie Vardi. Mr. Fung is on faculty at the University of Georgia and is a Steinway Artist.
Hitomi Koyama has won prizes in consecutive years at Dichler Competition held in Vienna, Austria and also has received Leni Fe Bland Music Awards. She has performed at Wiener Musikseminar, International Sommer Akademie Tokushima, Art of the Piano, CCM Prague International Piano Institute, Mannes Beethoven Institute, Eastern Music Festival and Atlantic Music Festival.
As a recitalist and a chamber musician, she has appeared in venues are such as Corbett Auditorium, Werner Hall and Watson Hall in Cincinnati, Snyder Recital Hall at Ohio Northern University, Javitz Center, the Lincoln Center, Spanish Institute, Steinway Hall and Yamaha Salon in New York, Flickinger Center in New Mexico, Bösendorfer Hall, Liszt Hall and Konzerthaus Wien in Austria, Jan Deyl Conservatory Concert Hall in Czech Republic, Murasaki Hall, Aimu Hall and Amyu Tachikawa Hall in Japan.
Koyama has earned degrees from the Juilliard School, Mannes College, and University for Music and Performing Arts Vienna. Currently, she is pursuing her doctoral degree at College-Conservatory of Music University of Cincinnati. She has played in master classes with world-renowned pianists such as Mitsuko Uchida and Robert Levin. Her significant mentors include Martin Canin, Victor Rosenbaum, Peter Efler, and Eugene Pridonoff.
Along with her passion for performance, she is an active teacher at both collegiate and preparatory institutions. She served as Adjunct Professor of Piano at CCM, Wittenberg University and piano faculty at CCM Preparatory Department. From October 2017, she joins piano faculty at New England Conservatory Preparatory School in Boston. She gave recitals and master classes at Ohio Northern University, Ohio University, Providence College, Western Kentucky University and Wright State University. Her students have won scholarships, competitions around the country and have been pursuing further performance studies at major conservatories and universities in the U.S. She is a guest artist faculty at Atlantic Music Festival in Maine and a piano faculty at Shinshu Art Camp in Nagano, Japan.
José Ramón Mendez
Described as “an artist with a polished sound and tremendous constructive power” and hailed by the Hoja del Lunes de Madrid, as “the Spanish pianist of his generation,” Jose Ramon Mendez is one of the most exciting Spanish pianists of today.
Recent performances include Chopin’s first piano concerto with the Cuban National Symphony Orchestra and Manuel de Falla’s “Nights in the Gardens of Spain” with the Nittany Valley Symphony, as well as numerous solo and chamber music performances in the United States, Europe, and Asia. His playing has been featured on WQXR’s “Performance Today” and on Classical KMFA. He has been a guest performer at many music festivals, including Caramoor Festival, Barge Music Series, Festival Internacional de Piano de las Islas Canarias, Music at Penns Woods, Amalfi Coast International Music Festival, “Tocando el Cielo,” Musica en Compostela, the Stony Brook International Piano Festival, and the Santander International Music Festival to name a few. As a chamber musician, Mendez has collaborated with such distinguished artists as Karl Leister, Itzhak Perlman, Michael Tree, Pascual Martinez-Nieto, and Pinchas Zukerman.
Mendez received his first music instruction from his father and by the age of seven was already performing on Spanish television and radio stations. He made his solo debut at the age of eleven at the Oviedo Philharmonic Society in Oviedo, Spain, the youngest performer ever to do so in the history of the society. He first gained international recognition when he performed Liszt’s first piano concerto under the direction of Sergiu Commissiona at the Concertgebouw in Amsterdam. Since then, he has concertized extensively in his native Spain, the United States, Italy, England, Portugal, Holland, and Japan to great acclaim. With his poetry, intellect, and masterful technique, he has been praised by critics and celebrated by audiences around the world.
At the age of 18, Mendez’s success brought him to the United States, where he began his studies at Manhattan School of Music in New York City. He completed his Bachelors and Masters Degrees in piano performance with renowned pedagogue Solomon Mikowsky and went on to finish his Doctorate of Musical Arts under the tutelage of Byron Janis and Miyoko Lotto. During his stay in New York, he won top prizes in many international competitions, including Pilar Bayona International Piano Competition, Hilton Head Island International Piano Competition, Frederick Chopin Competition in New York, and Hermanos Guerrero International Piano Competition, among others.
Mendez’s professional teaching career began in 1996, when he was invited to teach master classes at the Gijon School of Music. Since then, he has given master classes in numerous cities in Spain, including Lugo, Aviles, Valencia, Gijon, Oviedo, Santiago de Compostela, and Las Palmas de Gran Canaria, as well as in the United States at top music schools such as Oberlin Conservatory, Northwestern University, University of Michigan, and Columbus State University. Mendez also taught as assistant teacher to Miyoko Lotto at the Perlman Music Program, a program for gifted young musicians founded by the world famous violinist Itzhak Perlman. Currently in the summers, he is the Artistic Director and on the faculty of the Gijon International Piano Festival in Gijon, Spain, as well as frequently being invited to perform and teach at various festivals.
For more information, visit his at https://www.joseramonmendez.com
Logan Skelton is a much sought after pianist, teacher, and composer whose work has received international critical acclaim. As a performer, Skelton has concertized widely in the United States, Europe, and Asia and has been featured on many public radio and television stations including NPR's Audiophile Audition, Performance Today, All Things Considered, and Morning Edition, as well as on radio in China and national television in Romania. He has recorded numerous discs for Centaur, Albany, Crystal, Blue Griffin, and Naxos Records, the latter on which he performed on two pianos with fellow composer-pianist William Bolcom. A frequent guest at music festivals, Skelton regularly appears in such settings as Gina Bachauer; Amalfi Coast; Gijón; Eastman; Tunghai; Chautauqua Institution; American Romanian; Eastern; New Orleans; Poland International; Indiana University; Hilton Head Island; and the Prague International Piano Masterclasses. He is a popular presenter at music teacher organizations including numerous appearances at MTNA national conventions and EPTA World Piano Conferences, as well as serving as convention artist for state conventions in New York, Illinois, Michigan, Louisiana, North Carolina, Wyoming, and Iowa. Moreover, he has given countless performances and masterclasses at colleges, conservatories, and conferences throughout the U.S., South Korea, Taiwan, Singapore, China, Italy, Romania, Serbia, Poland, and Czech Republic. He is a frequent juror for international piano competitions. His Centaur Records compact disc, of all 20th century American solo piano music, is titled American Grab Bag: Piano Music of Our Time. American Record Guide described this as a "fascinating recording," commenting on Skelton's "superb, wonderfully subtle and elegant playing ... Bravo!"
As a composer, Skelton has a special affinity for art song, having composed well over a hundred songs, including numerous song cycles. Critics have noted the close fusion of text and music in Skelton's songs, how words are "... illuminated with brilliance and deep emotional power," American Record Guide. Others have found "... joy-a night unto ecstatic joy... in word and sound-play," Dial M for Musicology. In Fanfare magazine reviews, Skelton as a composer of song has been singled out for his ability to "... plumb the depths of emotion ... these are exquisitely crafted art songs in the American tradition ... we are in the hands of someone who lives and breathes song." His works have been performed throughout the world by a variety of musicians in settings such as Carnegie Recital Hall and Merkin Concert Hall in New York City, Tblisi in the former Soviet Republic of Georgia, Australia, Sorrento, Italy, as well as numerous cities throughout the United States including Los Angeles, Salt Lake City, Tampa, New Orleans, Lincoln, Houston, Detroit, and many others. He composed the required work for the 1993 New Orleans International Piano Competition. His song cycle Anderson Songs: The Islander, was a recipient of the Music Composition Award from the Mississippi Institute of Arts and Letters.
Professor Skelton's principal teachers have included John Murphy, Rebecca Penneys, Lillian Freundlich, and Artur Balsam. A devoted teacher himself, his own piano students have repeatedly won awards in many national and international competitions including Hilton Head; San Antonio; Cincinnati World; Washington; Bartók-Kabalevsky-Prokofieff; Fischoff; Jacob Flier; Iowa; Frinna Awerbuch; Eastman; Crescendo; Dallas Chamber; Missouri Southern; Los Angeles Liszt; Wideman; Concorso Internazionale di Esecuzione Musicale; Schimmel, Liszt-Garrison; Grieg Festival; Del Rosario; Beethoven Sonata; Ithaca; Piano Arts; Heida Hermanns; Dubois; Schmidbauer; Peabody Mason; Janáček; Seattle; Kingsville; New York; Oberlin; Idyllwild; as well as numerous Music Teachers National Association competitions. His former students hold positions of prominence in music schools and conservatories throughout the world. He was honored by the University of Michigan as the recipient of the prestigious Harold Haugh Award for excellence in studio teaching. He has served on the faculties of Manhattan School of Music, Missouri State University, and is currently professor of Piano and director of Doctoral Studies in Piano Performance at U-M.
Pianist Mei-Hsuan Huang is Assistant Professor of Piano at Iowa State University and a member of the Amara Piano Quartet (Joanne Rile Artists Management).
Huang has been a prizewinner in several international piano competitions, including the USASU International Piano Competition in Tempe, Arizona, the 57th Wideman Piano Concerto Competition in Shreveport, Louisiana, and the International Chopin Piano Competition in Taipei, Taiwan. She regularly performs over fifty solo and chamber recitals every year in Europe, States, Canada and Taiwan. She has been invited to summer festivals including the 2006 Aspen Music Festival, the 2007 Pianofest in the East Hamptons, the 2008 Orford Music Festival, Quebec, the 2010 Atlantic Music Festival in Maine, the 2012 CICA Eureka Springs International Music Festival in Arkansas, and the 2012 and 2013 Banff Music Festival, Alberta. Festivals increasingly ask for her presence on their artist rosters. Recently, Huang also was presented in a piano recital in National Taiwan Concert Hall (Taipei), as a result of being nominated for the prize of “Excellent Musician Series” by ProArtist.
In 2013, Huang performed George Gershwin’s Rhapsody in Blue with the Central Iowa Symphony, Robert Schumann’s Piano Concerto with the Iowa State University Orchestra, and Camille Saint-Saëns’ Carnival of the Animals with the Des Moines Symphony. In 2017, she performed Bach’s F Minor Keyboard Concerto and numerous chamber concerts with the Caroga Lake Chamber Orchestra in New York and Switzerland. Huang has travelled with the Amara Quartet to perform at the Colours of Music Festival in Barrie, Ontario and on concert series in Illinois, Virginia, Michigan, Ohio, and Texas. The quartet released compact disc on the Fleur de Son label in 2016, a recording of American quartets that will feature the piano quartet by George Tsontakis’ piano quartet No. 3, Dark Rosaleen—written by Lee Hoiby for the Ames Piano Quartet—a piano quartet by Walter Piston and Carolina Reveille by Paul Schoenfield. The quartet will release compact disc on the Fleur de Son label in 2018 including both Faure Piano Quartets.
Huang received her bachelors degree at The National Taiwan Normal University, where, she won the prestigious Xing Tang Temple Piano Competition Prize. She received her masters degree at the Cleveland Institute of Music, where she studied with Sergei Babayan, Margarita Shevchenko, and Paul Schenly. She received her doctorate of musical arts degree at The Ohio State University under full-scholarship.
Huang is on piano faculty at The Atlantic Music Festival in Maine and guest pianist at Caroga Music Festival in New York during the summer.
Huang was named a Steinway & Sons Artist since 2014.
Natalya Antonova made her debut with the Leningrad Philarmonic at the age of 16. As a soloist of two major concert managements, “State Concert” and “Soviet Union Concert”, she concertized in Russia, Estonia, Georgia, Latvia, Ukraine, Armenia, Byelorussia, and other countries like Germany, France, Bulgaria, Hungary, Czechoslovakia, South Korea, etc.
When she accepted an invitation from the Leningrad Conservatory, she became the youngest professor ever appointed for this position in the history of the school. After 10 years of serving, she accepted a position of Professor of Piano in the Russian Academy of Music in Moscow (formerly the Gnessin Institute of Music).
Antonova has given hundreds of master classes and lectures throughout the world including the Moscow Academy of Music, Paris Conservatory, Budapest Conservatory, Peabody Conservatory, New England Conservatory, and Seoul National University.
She has participated in many International Festivals in such countries as Hungary, Germany, South Korea, USA, Russia, etc. Each summer she conducts piano classes in the frame of the International Festival in Paris, France.
Antonova has judged numerous competitions such as Gina Bachauer in Utah, Corpous Christi International Competition in Texas, Sibelius International Competition in Ohio, Hilton Head International Competition and Missouri International Competition.
She is currently a tenured professor at the Eastman School of Music.
Sang Woo Kang
Cited by the Los Angeles Times as a “prodigiously talented pianist with great technical virtuosity and interpretive gifts,” Sang Woo Kang is an active performer and educator who has presented master classes and recitals in Asia, Central and South America, and Europe. He successfully balances his performance career with teaching at Providence College, where he is Associate Professor and Chair of the Department of Music.
An active performer, Sang Woo’s recent international performances include the Auditorio Piazzolla in Argentina, Bari International Festival in Italy, Sehjong Cultural Center in Korea, multiple venues in Japan and Thailand, the Moulin d’Ande Festival in France, Weill Hall at Carnegie Hall, and Steinway Hall in NY, to name a few. Upcoming events include chamber, solo, and orchestral concerts in New York, Providence, Chicago, and Boston.
Sang Woo recorded the Brahms Clarinet Sonatas on the EMI Korea label in 2007 and his performances has been featured on various programs in the US and abroad, including the WXXI, WGBH, and MPBN classical music stations. Sang Woo’s latest solo album, featuring Mozart’s piano pieces, will be released on the NAXOS Label later this year.
Over the summer, he directs the Piano Institute and Seminar at the Atlantic Music Festival at Colby College, an annual intensive four-week series of concerts and events focused on promotion and performance of new music.
In addition to his other activities, Sang Woo reviews recent classical releases for publications such as the American Record Guide and Clavier Companion, and maintains a blog entitled “Music for Time’s Ending,” which covers a variety of topics pertaining to music.
Sang Woo is a graduate of Juilliard School and the Eastman School of Music, where he received the Doctor of Musical Arts degree.
SEÁN DUGGAN, OSB, pianist, is a monk of St. Joseph Abbey in Covington, Louisiana. He obtained his music degrees from Loyola University in New Orleans and Carnegie Mellon University, and received a Master’s degree in theology from Notre Dame Seminary in New Orleans. From 1988 to 2001 he taught music, Latin and religion at St. Joseph Seminary College in Louisiana and was director of music and organist at St. Joseph Abbey.
In September, 1983 he won first prize in the Johann Sebastian Bach International Competition for Pianists in Washington, D.C., and again in August, 1991. Having a special affinity for the music of Bach, in 2000 he performed the complete cycle of Bach’s keyboard works eight times in various American and European cities. For seven years he hosted a weekly program on the New Orleans NPR station entitled “Bach on Sunday.” He is presently in the midst of recording the complete cycle of Bach’s keyboard (piano) music which will comprise 24 CDs.
Before he joined the Benedictine order he was pianist and assistant chorus master for the Pittsburgh Opera Company for three years. He has performed with many orchestras including the Louisiana Philharmonic, the Buffalo Philharmonic, the Leipzig Gewandhaus Orchestra, the Leipzig Baroque Soloists, The Prague Chamber Orchestra, The American Chamber Orchestra and the Pennsylvania Sinfonia. From 2110 to 2004 he was a visiting professor of piano at the University of Michigan. Currently he is associate professor of piano at SUNY Fredonia. During the fall semester of 2008 he was also a guest professor of piano at Eastman School of Music. He has been a guest artist and adjudicator at the Chautauqua Institution for several summers, and is also a faculty member of the Golandsky Institute at Princeton, New Jersey. He continues to study the Taubman approach with Edna Golandsky in New York City.
Pianist Victor Rosenbaum, former chair of the NEC piano department for more than ten years, has performed widely as soloist and chamber music performer in the United States, Europe, Asia, Israel, and Russia, in such prestigious halls as Alice Tully Hall in New York and the Hermitage in St. Petersburg, Russia. He has collaborated with such artists as Leonard Rose, Arnold Steinhardt, Robert Mann, and the Cleveland and Brentano String Quartets, among others. Festival appearances have included Tanglewood, Rockport, Yellow Barn, Kneisel Hall, Kfar Blum (Israel) and Musicorda, where he is on the faculty. He has been soloist with the Indianapolis and Atlanta symphonies and the Boston Pops. Also an accomplished composer and conductor, Rosenbaum gives masterclasses and lectures on pedagogy issues and interpretive analysis worldwide. His highly praised recording of Schubert is on Bridge Records.
B.A., cum laude, Brandeis University; M.F.A., Princeton University. Piano with Leonard Shure, Rosina Lhevinne; theory and composition with Martin Boykan, Edward T. Cone, Earl Kim, Roger Sessions. Former faculty of Eastman School of Music and Brandeis University. Former chair of piano at the Eastern Music Festival. Former Director/President of the Longy School of Music.
Arlene Shrut, is a collaborative pianist with a flair for the visionary: combining tradition with transformation. This two-fold passion guided Arlene to become Founder and Artistic Director of New Triad for Collaborative Arts, a 501C3 non-profit educational and arts service organization dedicated to providing classically-trained musicians with professional presentation skills that lead to more accessible concerts. New Triad’s innovative interdisciplinary training helps artists dramatically increase both the expressiveness and visual impact of their performances.
Dr. Shrut is a Senior Coach at the Marcus Institute for Vocal Arts of The Juilliard School as well as a Vocal-Piano Recital Faculty Coach at the Manhattan School of Music. An admired keyboard performer hailed as a “strong and sensitive pianist” by The New York Times, Arlene has performed in major venues in America, Canada and Europe, and recorded for Dorian, Albany, Summit, Centaur and Orion labels. Arlene also launched The National Association of Accompanists and Coaches and taught on the faculties of Syracuse University and Mannes College. During the summer of 2009, her teaching and performing was featured at Vancouver International Song Institute, Operafest on Martha’s Vineyard and Resonanz Festival. In the summer of 2010, she also joined the Atlantic Music Festival faculty and guested at Songfest in Malibu.
Arlene’s ongoing activities in the operatic realm include serving as official pianist for international competitions sponsored by The Loren Zachary Society, The Gerda Lissner Foundation, The Licia Albanese Puccini Foundation and the Giulio Gari Foundation. She was coach/pianist for Arizona Opera’s last complete Ring cycle and has performed in many gala concerts sponsored by the America Wagner Society. Arlene was a member of the coaching staff at the Aspen Opera Theater Center for fourteen summers, where she taught seminars on Mozart and German opera. Arlene was honored in 2003 as inaugural “Coach of the Year” by Classical Singer Magazine.